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Years ago I was driving across Tennessee and came down toward Chattanooga just at dusk, and it looked so pretty looming up out of the impounded waters of the Tennessee River.  I was moved—and I thought of moving there. I told a girl I knew then about my dream of Chattanooga, but she was unimpressed.

“You probably won’t be any more happy there than you are here,” she said. “Or unhappy.”

Which might have been true. Heck, was probably true. I never found out, though, for I never ran away to Chattanooga. But still—the main impulse is right, I think.  Sometimes you just have to pack up and go. Hit the road and leave everyone and everything behind….

Janet put on a jacket and gathered up her purse and a battered Rand McNally road atlas.  Seven times in the last eight weeks she had dropped Jay off at Steve's, then set out on long drives out of town, driving eight or ten or twelve hours, thinking, thinking, stopping late for a motel room—twice sleeping in the front seat of her car—then turning back in the early morning and heading home.  Each drive—to Dalhart, Clovis, Carlsbad, El Paso, Big Bend, Wichita, Little Rock—she saw as a dry run, practice for when she really left town for good.

The opening scene with Janet and her son is taken from one of my earliest memories, a morning when I was sitting at the table with my mom when we were startled by a sonic boom….

“It's when a plane goes faster than the speed of sound,” Janet said. “You know what that is?”  

Jay shook his head.  

“Okay, let's say that airplane came busting through the wall just now”—Janet pointed with her cigarette at the wall just behind Jay—“and I yelled 'Get down, Jay!'  But no matter how fast I yelled at you, the plane would still run you over, 'cause it would be going faster than my words.”

Jay twisted around in his chair and looked at the wall, as if judging the likelihood of a jet bursting through it at any moment. Then he turned back to his cereal and began eating, every now and then looking up at his mother. He didn't say anything.

Janet thinks, “…at the speed of sound, you could get a long way away, maybe before anyone even noticed you were gone.”  

Several people have pointed out, correctly, that Janet’s decision to flee—to bolt and leave her kid behind—would be a selfish one. But sometimes we write about selfish people, and sometimes we are selfish people. Life is like that.




There are jets--RF4Cs, in fact--in this story, and so I'll run this video again....
 
 
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I like to think there’s a soundtrack to my work—songs that are playing somewhere in my head as I write and are inferred in the text—and what I’m going to try to do over the next few weeks is post some possible soundtracks to my writing, music for further listening.  I’ll begin with my story collection, Long Time Ago Good, and then move along into That Demon Life.

“Brindled Pit Bull”

Long Time Ago Good is a collection of stories set mostly in Austin, a city I lived in for 25 or so years, stories written as a way to help me understand where I was and why I was there.   “Brindled Pit Bull” is the opening story in the collection, and what’s it about?  Loss and awakening, I suppose.  Marla is a high-tech worker in Austin who gets laid off her job.  She begins thinking that the Austin she lives in is perhaps not what she thought it was….
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Later, going home in the free cabs, taking long trips to their homes in the far Southwest or far Northwest sides of town, everyone would be laughing and making calls on their cell phones, gossiping about work, telling each other how wonderful Austin was, with restaurants and Sixth Street and music and all the cool people at work, but how weird and crude and out of it the rest of Texas was—Texas they had seen only from car windows as they drove in from San Diego or wherever, or gazed down on from a mile up in the air as they flew in from Seattle or Boston—and the cab would speed by neighborhoods where the locals lived, the ones they saw on the TV news for winning chili cook-offs, or going on killing sprees, or getting in car wrecks, all those would-be cowboys sitting in the night in their camped little houses drinking beer and cleaning their guns and admiring their Confederate flags while their girlfriends snorted crank and their kids rolled around squalling in dirty diapers—a whole class of left-behind losers that no one would ever take seriously.  The cab driver if he was cool would laugh along with them, knowing he was getting a good fare and a good tip, and it had all been such childlike, endless fun, one long party, it was never going to stop, the jobs would get better and better, and pay more and more and more—but, no, now it had ended.  It had stopped.
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The story is also about desire and recognition, about someone who finally breaks through to see the world truly—though, since Marla is a very flawed person, her honest vision of the world might very well be incorrect.

So, for listening: “Everything is Broken,” a Bob Dylan song performed by R. L. Burnside.

Also a bonus track: “She’s Got” by True Believers.  The Troobs were my favorite Austin band of all time, and you might want to imagine their music running through both my Austin books—because it is—the sound of Austin as it exists in my imagination, the city I knew and know….
The sound is really bad on this video, but I think the power of the band still comes through.  I’ll probably be posting more of their work as the soundtrack project rumbles along.  In the meantime you’ll probably want to track down their album….

Hard Road, by True Believers