(Yes, just the answers—no questions).
- Who are the characters? Are you going for comic or tragic?
- The answers to each of these questions will lead to an ultimate answer....
- But don't be afraid to change the outline when you get better ideas! It's not a contract!
- Once you figure out what might sort of happen, start—writing.
- It might help to think of the story as a photograph—a moment caught in time.
- This exercise really is writing practice—it's to get you used to thinking in words and images.
- Like with any skill you're practicing (and writing is a skill, not a talent), you will get better at it.
- I love it when students relate their writing to the world around them.
- What's the world around us like right now? It's sadly messed up, with a lot of material.
- Just keep moving forward. (Until it’s time to revise).
- You are going to live a long time—you have time to write all the stories. For today, just choose one.
- Too much information will kill your story. (Creative writing teachers have a term for this: "the page two info dump" though often the info dump will take place about halfway down page one).
- Does the reader need all the background info? Really? Probably not.
- People have been trying to figure that out for a long time!
- People are individuals and respond individually to what appeals to them. But—time moves on, the culture moves on, and what appeals to people moves on.
- The libraries are full of books by excellent writers who are totally forgotten now....
- I like to know where I'm heading—on a trip or in a story—but I have free will and can change my destination at any time.
- Still I start with an objective in mind.
- I'm not especially witty, but some few people think my writing is funny. I just put people in incongruous and difficult situations and let everything fall apart for them....
- I wouldn't worry about it too much...?
- Your personal style will develop over time—and change over time, too.
- There are a lot of things at stake for all of us, all the time. Look out the window—we live in an increasingly dystopian society in the midst of a pandemic. What's at stake?
- Sure, you can put a Dad character in there wherever you want. A good dad, a bad dad, a drunk dad, a sad dad—all these different dads would add depth to your story...
- Clichés are popular because they are often true were maybe at one time satisfying. But you probably don’t want to write a cliché.
- We live in a world where all the stories have been written except the one you’re about to write.
- Try turning a stale idea around. The buzzer beating shot clanks off the rim….
- It might be a very difficult story to write. But give it a try—ambition counts!
- For our stories, you're limited by a very tight narrative space. So you might want to hold back on all the subplots.
- Love your writing! But always read it like a writer. Don't be afraid to cut and cut and cut….
- (And when I say cut—I don't mean delete. Save those words—you might want them later...).
- Do you care about your story? If not, find a way to care about it.
- Pretending to care about it will work until you really do come to care.
- The real danger is not making any forward progress because you go over and over the same passages trying to get it "perfect."
- If your characters cuss, then use real actual cuss words.
- I'm thinking romantic love. You can do a lot with human emotions.